| Pit Kiln Fired Pottery |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
For many years, New Mexico has enchanted me with it's high
desert landscape, contrasting light, and rich history. I've spent countless
afternoons hiking and horseback riding canyons, pondering petroglyphs, and
wandering ancient ruins. Although my family does not stem from these roots, I
have a deep respect for the Ancestral Pueblan culture which used to thrive in
this rugged landscape. Sometimes, I find a coiled or painted pottery shard to
temporarily hold and appreciate. It's an immediate connection to the past
through something handmade. Their pottery was crucial to survival, yet
craftsmanship and artistic choices are definitely present.
The pit firing process is sacred to me and serves as a link to ancient
techniques and people. My "modern" version creates a lot of color and line,
adding mystique to the decorative pottery. I use high fire clay bodies, which
vary in color and lots of add lots of "magic dust" to the pit. My pots are wheel
thrown, burnished and bisque fired. Then, I carefully place the pottery in a
brick lined pit containing sawdust and other combustibles. I ignite the fire
with local cedar and pine wood. Slowly, I bring the fire up to the desired
temperature, building a solid bed of coals, then cover and cool for a few days.
Upon unloading the kiln, you never know what color pattern or design will occur.
It is what keeps me intrigued. There is a surreal, whimsical feel to the overall
surface of the pot that connects with the viewer. If this happens to me, I know
the piece is a success.